Last year we commissioned a
London-based art lover who had never visited the Brighton
Festival before – known on these pages as ‘the
Outsider’ - to write a series of articles based on
his initial impressions and he made the following observations:
‘It’s not as if there is, in fact, all that
much publicity for your efforts. I see that there’s
some controversy about whether the Open House Trails are
part of the Festival or not and not even brightonfestivalfringe.org.uk seems
to have a simple, basic description of what Open House is
all about and what treats may await a virgin visitor.’
There is no definition available of what an Open House is,
no instructions of how to one sets about running one and
no guidelines or helpful tips on the nuts and bolts of having
artists exhibiting in your home. That’s what this series
of articles will attempt to clarify.
I can already hear several howls of protest from Open House
owners about this. Some feel the whole process should be
organic; some feel that attempting to define how it works
will constitute a ‘rulebook’ leading all Open
Houses to be the same. This is nonsense.
The first and greatest
rule about Open Houses is that, as the owner, you can set
them up and run them how you like. If you want to turn your
house into a Gallery, do so. Alternatively, if you want to
make it feel like a Moroccan market bazaar, then go for it
but remember, it will be hard work, even if everything runs
smoothly. Bearing that in mind you should try your best to
make it fun and make it enjoyable, both for you, any artists
you invite to exhibit with you and – especially- your
visitors. After all, there’s not much point inviting
people into your homes and not showing them a good time,
is there?
If you think there is then please don’t invite
me round for dinner and a cocktail.
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